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siren

Issue 2, Fall 2012

Welcome to the Second Issue of Siren!

Collected here is the work of unique artists who all share a similar conceptual interest in what is new, edgy, exciting, and experimental in their chosen mediums. These are artists who demand attention, who are making their own paths. They are guided by voices and visions and the passion to create, to expand, and to discover.

In this issue, we offer a wide range of poetry, prose, flash fiction, stories, photography, music, and videos. Please continue to scroll through the entire issue to see the work of these artists who are trying new things and approaching their creative pursuits in different ways.

Thank you for reading, listening, viewing, and supporting the collective work of the intriguing artists featured in our fall issue. You can also click on the links below or on the side panel to view the artists’ individual pages, and to find out more info about their work. Thanks to all for your support.

Michelle Augello-Page
Editor

Siren

Issue 2, Fall 2012

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I. She by Sarah Drago

Somnium by William CurrieR

Cosmic Love by Larissa Nash

Cracka Smile – Black Shirley

She declares it good by Misty Rampart

A Dream by Jayne Marek

Mingus V by Kyle Hemmings

Bamboo and Mike Milazzo

Dealer’s Choice by Allie Marini Batts

Urban Decay by William CurrieR

iEnd by iDrew

Bamboo featuring Kid Lucky

Reruns by Kevin Ridgeway

Mingus VII by Kyle Hemmings

Rowan Galagher – The Mad Pride

Losing You by Brida Kuhs

Feel the Cold by William CurrieR

The Estuary Road by Jayne Marek

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nefarious ballerina

I’m so happy to have three of my poems – “how we love”, “Muse”, and “He entered this lost empire” – in Issue 6 of Nefarious Ballerina!

Nefarious Ballerina is “a theme-based publication, centered around, for lack of a better word, erotica. This sounds easy enough, but to do it well is the hard part. We are interested in the intelligently erotic.What does that mean? Well, it’s what you say and how you say it that’s important, it’s about sex but it’s also about feelings and morality. It’s the fire that burns in our heads and hearts as well as our loins. It’s more about what goes on above the waist than below it. It’s about the animal in us that makes us human and how much we’ve evolved as a species — and how much we’ve stayed the same.”

Click here to check out the provocative and erotic poetry and art in Issue 6 of Nefarious Ballerina, also available through Issuu.

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named and shamed

“Janine Ashbless’s Named and Shamed is an original erotic fairy tale, set in a richly drawn fantasy world which parallels our contemporary time. The story is interwoven with mythological influences, excerpts from Christina Rossetti’s poem “Goblin Market,” and allusions to many different traditional fairytales and folktales. Janine Ashbless combines all of this and more with a light touch. Excellent writing, a wonderful narrative voice, great characters, and a strong plot move this naughty tale forward into another realm.

Named and Shamed immediately draws the reader in with the narrative voice of Tansy – a six-foot tall redhead who has found herself under a curse and an insatiable need for cock. There is no other way to put it, really, as Tansy would tell you herself. Tansy is a brilliant character, reminiscent of both the tarot’s fool and the archetypal hero. She sets upon a quest to free herself from the curse, taking the reader on a journey into a world of fierce eroticism and unapologetic sexuality, which confronts sexual deviance and kink, shatters taboos and boundaries, and ultimately frees and liberates.

One of the things I loved most about this book was the setting in Wildworld, a fictitious place that straddles both mythological and contemporary worlds, inhabited by humans and a wide range of Fair Folk, also called “Them There.” These characters are brought to vibrant life and provide an exciting and intriguing sexual and mythological context to the story. I was happy to discover that this setting is also featured in some of Ashbless’s other work. The story of how Them There is told in Wildwood. Her novella Bear Skin, in the erotic fairy tale collection Enchanted, also shares this setting.

The sexual and erotic scenes in Named and Shamed are very, very hot. The sex in this book starts within the first few pages and becomes increasingly varied and creative. There are no boundaries here, in fact, I’d say that that the story seems to delight in overthrowing limits and taboos and what may be considered sexually deviant. Because Tansy is so accepting, so receptive, so clearly enjoying her sexual adventures, she provides an interesting comfort zone for readers as they negotiate this wild and refreshing and uninhibited sexual terrain where anything, and I mean anything, is possible …”

Read the rest of my review of this extraordinary book at Oysters and Chocolate, and be sure to check out the rest of the site for their  erotic art gallery, stories, poems, book reviews, and articles!

Named and Shamed by Janine Ashbless
UK: £10.99
US: $17.95
ISBN: 978-0-9570037-8-1
June 2012, 390 pages
Illustrations by John La Chatte
Sweetmeats Press


astronavigation

Astronavigation by Michelle Augello-Page by barehandspoetry

This is an audio recording of my poem “Astronavigation”, which was published in Issue Six of Bare Hands Poetry. Be sure to check out Bare Hands Poetry on SoundCloud to hear the voices of poets from all over the world reading their work!


on fairy tales

Why are fairy tales still so popular? What is the lure of this particular form of storytelling? And further, how do we understand and process the meaning of fairy tales in our collective consciousness and our individual minds?

As a writer who sometimes works within the framework of fairy tales, I am extremely interested in these questions. As with all stories, fairy tales have grown from an oral to a written form of storytelling. In the retelling, the storyteller would often revise the tale, a tradition that continued when the stories were printed, and continues to this very day.

The framework of fairy tales demands this reflexive approach, and relies on the storyteller to reinvent the tale.  In the retelling, the familiar tale is processed by the author’s (and the reader’s) unique perspective, and filtered through cultural, historical, environmental, psychological, and socioeconomic contexts.

Modern fairy tales, now more than ever, depart sometimes drastically from the “original” form. And yet, these modern tales are just as much fairy tales as the ones we grew up with as children. Perhaps more so, because these modern tales understand the essence of this form of storytelling. The retelling and reinvention of fairy tales is the natural evolution of the form. It is in this way that fairy tales are kept alive.

When I was growing up, I had a very small collection of books. Most of these books were fairy tales. As I grew older, I began to find alternate versions of the tales I knew and loved. These alternate versions did not detract from my love of the “original” tale. In fact, they enhanced the story – the essential story – and provoked me to think more and to open my mind to different possibilities, different perspectives, and different meanings.

One of the books I had as a child was a Disney picture book of Snow White. I loved that book deeply. How surprised and pleased I was to find another version of Snow White! Then, I discovered the Grimm’s brothers tale. Whoa. Then, I looked a little deeper and found the unabridged Grimm tale! Mind=blown.

Since then, I’ve read countless versions of that same tale where the fairy tale has changed perspective, plot, and point of view. I’ve read versions where the Queen is the victim, and Snow White is the villain. I’ve read versions where Snow White outsmarts the Queen and doesn’t need the prince to save her; she saves herself. I’ve read versions where Snow White was a whore, living very disreputably with seven men!

The most interesting aspect to these alternate versions is that the fairy tale is still, essentially, Snow White. And that’s the way fairy tales work – before even getting into a new take on the old tale, I am coming to the story with a set of ideas and expectations. I know this fairy tale. And yet, with each retelling, the story continues to expand and layer meaning. It forces me to revisit the tale in new ways, with fresh eyes, and to expand in turn.

A couple of years ago, I was interviewed when I first published my story “The Kiss” in the Cleis Press anthology Fairy Tale Lust. In the interview, I was asked what made my story a fairy tale, and why I thought erotic fairy tales were so popular. My response was:

My story is a fairy tale by both the nature of the tale and the plot elements that constitute a fairy tale. Fairy tales are set in an alternate reality, where fiction is real, and the lie is truth. There is a certain suspension of belief that occurs in fairy tales; we believe that there is a wolf in the bed when Little Red Riding Hood comes to visit grandmother. In reality, such a thing would be too impossible to believe. But we understand the wolf in the fairy tale, not in the literal sense, but the wolf as a symbol, and all that represents. We understand that, as surely as we understand the phrase “a wolf in sheep’s clothing”. It is language telling something essential, infused with metaphor.

Fairy tales are a way of teaching children how to work out issues, about showing them alternate paths, and allowing them fancies of the imagination and the certain pleasure derived from language and from reading and being told a story. An important aspect to fairy tales is the multilayered effect of the tale, which allows one to re-read any number of written tales with the basic parameters of one story. This is a very interesting way to tell stories, and features mostly in fairy tales, mythology, and folklore. The fairy tale is something flexible and organic, encouraging a continued re-visitation of the text, which should change in response to evolving perceptions of the self and the world.

“The Uses of Enchantment” by Bruno Bettelheim is an excellent book for those interested in the deep meaning and importance of fairy tales through a psychoanalytic lens. Fairy tales are written for children in our modern times, though we all know the Brothers Grimm and that fairy tales were often told to adults and have been sanitized for exclusive use in the realm of childhood. Therefore, in our present time, adults outgrow fairy tales.

I think that erotic fairy tales are popular because they are a place for adults to revisit the basic elements of the fairy tale story with adult content. The adult content still allows for the adult reader to connect with the tale, as a place to work out some of the mysteries and subtleties of our human experience. Sex is extremely mysterious. There exists an entire literature devoted to comprehending sex and even this falls short of tapping into fully understanding the sexual experience. So, it seems natural that we would turn to erotic fairy tales, and be interested in stories that work out certain issues, show us alternate paths, and allow fancies of the imagination, through language and the creative mental process of reading.

The framework of the fairy tale is a very interesting way to experience a story, for both a writer and a reader, which is why I think it continues to flourish as a medium of storytelling. These are stories we have known since childhood, stories that we have encountered since we first learned to read. These stories inherently contain archetypes, which speak to us on an almost unconscious level. These are simple tales with deep, deep roots.

And they change. And they are meant to change. In response, they provoke us to reflect, to expand our capacity for meaning, and to change as well.

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july

Time is escaping me! I can’t believe we are already halfway through the month of July. The last few months in general have been blurred with transition and change – high highs, low lows, the pendulum of luck swinging dispassionately across the landscape of my life.

The end of June saw the publication of one of my stories and also the publication of the first issue of Siren. Both of these endeavors were the result of planning and hard work, and I am so proud of both. Publication is an interesting process for a writer, so I wanted to share a little of this process.

“Tale of the Hourglass” was a story that I first wrote in draft form many years ago. Since then, I have taken it out every once in a while to revise and redefine the story. I knew it was an unusual story – a weird tale, with elements of magical realism. The story had been rejected in the past but I believed in that story; I was hopeful that I would find a place for it. When I found Rose Red Review, I was really excited because they seemed to celebrate just that type of work. I had finally found a home for my story – a great fit between the concept of the journal and the collection of work within.

I have so many stories and poems like this … things I am working on, things I know are good and I want to see published. The hard task of the writer is to find these compatible places. For writers who are different or experimental or exploring new paths and methods of communication, one is also dealing with the resistance from the accepted norm. This is one of the main reasons I started Siren – to create a place in which to celebrate the work of innovative and exceptional artists who deviate from the mainstream. The response to Siren has been very positive, and I am so honored to be a tangential part of it.

Within this time, I’ve also received some rejections of my work, including two rejections of my poetry manuscript. I know the odds, yet I was only able to afford to send it to five places. I was planning on sending the manuscript out again in the early fall, when more places opened up for submissions – but I honestly don’t think I will have the money. I’m still waiting to hear from the other places … I’m still feeling hopeful.

There is a strong reality that the manuscript will be rejected by all five places. I know it wouldn’t be a reflection of the quality of my work. I know that, if that should happen, I should consider other ways of publishing my manuscript. The route I am trying by submitting to these specific places is an academic route, and would help me to secure at least an adjunct position teaching, and possibly an entry level full time position, considering my other publications, education, and experience. Where I am right now … that means a lot to me.

This idea of high and low has extended to my personal relationships as well. Within this time, my lover and I had a series of conflicts. We also attended a wedding together.

The wedding was a grand yet comfortable affair – probably one of the best weddings I have ever been to. The ceremony and reception were held at the same place, connected by path through a sprawling green lawn which lead to the sea. The vows were exchanged in front of a gazebo right next to the water, and the reception hall had huge windows overlooking the landscape. It was a gorgeous place.

But it was the absolute feeling of happiness and joy and love that made this wedding so special. The bride and groom were so happy, and it was truly a celebration of love and friends and family. Children were running through the grass, people were dancing to the reggae band. We were all dressed up, looking good, feeling good. My lover and I spent the day and night together in this relaxed atmosphere, just celebrating love. We talked and laughed. We danced together. We disappeared for a little while and spent some time alone.

During the series of conflicts with my lover, we spent a lot of time talking about what being in a relationship means. I feel that we are all continuously growing and changing, and our wants and needs change as we do. Conflict is a part of our relationships. A love relationship has built in expectations, which come from both ourselves and others. There are also other things that come into play – past relationship experiences, sexual issues, family issues, friends, financial issues, labels, freedoms, limitations, insecurities, and boundaries.

It can be a lot to negotiate. It’s actually making my head spin just thinking about it. The fact is that conflict happens. It forces us to communicate about things. Another way to think of conflict is as another opportunity to grow and expand, to confront things about oneself, to break patterns, to change.

The funny thing is, I’m not a big advocate of marriage. I mean, I think of it as a legal and binding contract. I’ve never had a desire to get married. But something about the wedding was actually affirming to me – that the things we get from being in a loving and sexual relationship are so important, so necessary. There is so much joy and happiness to be found there. And to share love and passion in a healthy relationship with another person can be an incredible source of strength and growth in our individual pursuits and our individual lives.

Ah, mid-July and here I am … stealing time in which to write. The heat is still clinging to the still-humid, still air. It’s very late. The night is dark, ink black with no stars. I’ve already passed into a new day. In a few short hours, the world will awaken, welcome the dawn chorus, and rise with the brilliant, burning sun.

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siren

Welcome to the first issue of Siren!

Collected here is the work of unique artists who all share a similar conceptual interest in what is new, edgy, exciting, and experimental in their chosen mediums. These are artists who demand attention, whose work will challenge you to think, to feel. These are artists who are making their own paths, guided by voices and visions and the passion to create, to expand, and to discover.

In this issue, we offer a wide range of poetry, prose, flash fiction, stories, photography, music, and videos. Please click here to scroll through the entire issue. You can also click on the links in the current issue to view the artists’ individual work.

Thank you to all who submitted work to the inaugural issue of Siren. It was a privilege to read, view, and listen to all of the submissions and to see how people are engaging with writing and art, trying new things and approaching their creative pursuits in different ways. It is an honor to create a space in which to share the work of these exceptional artists.

Michelle Augello-Page
Editor

Siren

Issue 1, Summer 2012

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First Rain by Bill DesJardins

Recipe by Kristy Webster

Quietly by Heidi Harris

Poem by Vincent Francone

Untitled by Eleanor Bennett

How To Become A Shadow by Howie Good

Trashed – Untitled 1 by Jonnie Miles

Migrations by Robert McKay

A Kiss by Grant Palmer

Transformation by Jennifer Moffett

Tall Tall Tales by Heidi Harris

Fuck Knot by Shanna Germain

Pavement Grating by Jonnie Miles

Self-Loathing by Jay Sizemore

Open by Afton Wilky

Stalemate by Steve Mitchell

Being Gregory Levine by Bill DesJardins

Kant by Heller Levinson

Don’t Attack Me With Your Happiness by Kill The Band

The Lost Shirt by Ken Poyner

Plastic Sheeting in Tree by Jonnie Miles

The Egyptian Swing by Cutleri

Whispers by Peter Baltensperger

Untitled by Kyla Ann Gellein

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sirenzine.wordpress.com

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bound by lust

 

In Bound by Lust: Romantic Stories of Submission and Sensuality, editor Shanna Germain has put together a collection of 19 outstanding stories which “explore many of the ways that lust and love interconnect to create sex that’s dirty, degrading, mind blowing, arousing, and, yes, sweetly romantic.”

I have long been a fan of Shanna Germain’s work; her writing is deliciously rich and lush with language and imagery, so I was quite excited to read this anthology curated by her brilliant eye for Cleis Press. Bound by Lust features some of contemporary erotica’s hottest authors, and offers a collection of well-written stories which explore bondage and lust in a myriad of different ways.

I had expected that BDSM would be a theme throughout the collection, and was pleased to find that the stories in this collection took a broad view of bondage, looking at not only the physical manifestations of bondage, but also how we are bound to our needs to expand and grow, to express and discover, and to deepen and define our expressions of sex, sexuality, and relationships…

Click here to read the rest of my review of Bound by Lust at Oysters & Chocolate!

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Bound by Lust
Edited by Shanna Germain
Published by Cleis Press
$14.95, Trade Paper
224 pages
ISBN: 978-1-57344-792-8
June 2012
Distributed by Publisher’s Group West

 


tale of the hourglass

I’m so excited and happy to have my story “Tale of the Hourglass”  included in the beautiful debut issue of Rose Red Review!

Rose Red Review is a new online journal which “seeks to publish art, photography, fiction, creative non-fiction, and poetry that best reflects the magic in the every day–work that honors the past, the moment, and the uncertain future.”

Click here to read “Tale of the Hourglass” and be sure to check out all of the talented writers and artists collected in this lovely issue!

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june

“This is June, the month of grass and leaves . . . already the aspens are trembling again, and a new summer is offered me.  I feel a little fluttered in my thoughts, as if I might be too late.  Each season is but an infinitesimal point.  It no sooner comes than it is gone.  It has no duration.  It simply gives a tone and hue to my thought.  Each annual phenomena is reminiscence and prompting.  Our thoughts and sentiments answer to the revolution of the seasons, as two cog-wheels fit into each other.  We are conversant with only one point of contact at a time, from which we receive a prompting and impulse and instantly pass to a new season or point of contact.  A year is made up of a certain series and number of sensations and thoughts which have their language in nature.  Now I am ice, now I am sorrel.  Each experience reduces itself to a mood of the mind.”

~ Henry David Thoreau, Journal, June 6, 1855

 

Ah, June … the month that marks the start of summer, and the end of the school year. June, when the world begins to fruit and flower under the bright, burning sun. Already, the heat has begun to rise early in the morning.

I feel like time is just rushing by. This past week, my older daughter had a graduation ceremony – next year, she will enter high school. By the end of this month, my younger daughter will also have a graduation ceremony. She will begin middle school in September.

This is a bittersweet time; we are all transitioning. I know that my role as a parent is evolving, and it’s exciting. But I also find myself just looking at my children with wonder – so much life has happened in these years. And when I see them, I see them at birth, at three years old, at five, ten, now … Giving birth is a shared experience. A baby is born, a mother is born. I am both humbled and grateful when I think of all my children have given to me, and what an honor it is to share this incredible bond with them.

June is a busy time. There are end of the school year projects, concerts, plays, field trips, field days, ceremonies, parties, and all sorts of other miscellaneous things. Over the last few weeks, I also started a new job, so that has just added to the chaos. It is not a dream job by any means, but I feel okay about it. I have also applied for some adjunct positions teaching creative writing in the fall, so … I’m crossing my fingers. I miss teaching. I’m casting my nets, hoping I will find where I am meant to be, hoping I’ll reach a financially stable place in the process. There are a lot of changes, all around.

I’m still waiting to hear about my submitted poetry manuscript, which could take another couple of months. And I have a whole host of poems and stories that I am waiting to hear about. There are some things that have been accepted for publication, and more time to pass until I see them in print or on the web. I’m also in the process of writing some new stories and poems, which is always fun.

Recently, I was part of a reading for “Lustfully Ever After”! It was really great. Bluestockings is an amazing bookstore, and it was a great space for the reading. It was truly wonderful to be part of the event, and to talk with people after the reading. It was very interesting. I was told that my reading – my voice and the way I read the story aloud – seemed like poetry. I was a little surprised at how many people really seemed to like my story, and how it was described as different, poetic, impressionistic.  One woman wanted to talk to me a little bit about some of the underlying ideas and concepts in my retelling that came across to her, and that was really nice.

As a writer, it’s such a privilege to hear what others find in your work. Even when people comment on my blog posts, it really touches me to know that my work has reached someone. So often, writers send their work into the world, where it is received by others in a very private way – a solitary and intimate way – through the thought process of another person’s mind. And when we read, we bring our own meanings and experience and ideas to the text, recreating and redefining the work. That’s what I love best about reading, and it’s also one of the things I love best about writing.

That night, after the reading, the authors who read and some friends who joined us post-reading to celebrate, wandered around the lower east side in NYC for a bit, then stumbled upon a nice restaurant that wasn’t too expensive.  We settled in for some wine and beer, great food, great dessert, and wonderful conversations throughout the evening. What a treat to spend time with such intelligent, creative, amazing, real, and grounded people, talking about writing and books and art and life and everything in between.

The beginning of June also ushered in the end of the submission period for Siren. I received hundreds of submissions for the first issue, and I can’t express how happy and grateful I am that so many people were interested in being part of the webzine. It was so exciting to read all of the submissions, to see how such vastly different people are engaging with writing and art, trying to do new things and approach their creative pursuits in different ways.

The necessary evil about putting together a webzine is that I can’t accept all of the submissions. And as excited and thrilled I was about accepting some of the work, I knew I also had to reject so many. As a writer, I know how hard it can be to get that rejection letter sometimes. It was a heavy weight for me, but I hope that everyone who submitted knows how honored I was to receive their submissions, and truly wish them the best of luck as they continue creating and sharing their work.

June. Here I am again – late night, the children are asleep. The house is quiet and still. I am alone. I am ink-blood words knit into bone, woven language, waking dreams.


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